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The film was part three in the Sailor and Lula saga, “59 degrees and Raining: The Story of Perdita Durango.” Because of a dispute over royalties, the video was released domestically without the scene, considered by film critics to be the movie’s finest moment.

release, is of footage from the final scene of the 1954 Western “Vera Cruz” with Gregory Peck and Burt Lancaster. But the cruelest cut, the one Gifford attributes to ruining the U.S. The film had been edited in part to tone down the sex and violence. The 1997 Spanish film, shot in English, was a surprise hit abroad but flopped here, where it was released only on video as “Dance with the Devil.” He was there to talk about his work, including the film “Perdita Durango,” which the archive is showing in its uncut European version Saturday night. The violent satire featuring Sailor and Lula is a “true love story in seven novels,” Gifford said recently at the Pacific Film Archive, located on the UC Berkeley campus. Gifford, a Berkeley novelist and poet, would go on to write seven novels featuring Sailor and Lula, “the Romeo and Juliet of the South.” But no, the voices came from his imagination, and the couple he dreamed up that night would famously become Sailor Ripley and Lula Pace Fortune, immortalized by Nicolas Cage and Laura Dern in the 1990 David Lynch film, “Wild at Heart.”

The voices were so vivid that Gifford could have been eavesdropping on the couple’s conversation in the next room, he said. Two decades ago, Barry Gifford was nearly broke and recovering from an illness that left him barely able to read when he woke up in a North Carolina hotel with the voices of a man and woman in his head.

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